
Based on his latest book ‘Making Archaeology Happen: Design versus Dogma,’ his far-reaching lecture left us convinced that our unique approach to crowdfunding and crowdsourcing was an important step forward.
Discussing how and why archaeology is undertaken all over the world, Martin passionately argued that ‘Archaeology is for the People,’ deeply embedded in the needs of local communities, making it simultaneously an art, science and social science. Realising this ‘public benefit’ means changing how archaeology is currently practiced, from a standardized process to one that rests on creative design – kind of like the difference between a builder and an architect.
We were blown away by this – particularly in relation to our creative approach to crowdfunding and crowdsourcing – and there were some interesting chats afterwards in the Wattle and Daub! If, as Martin argued, the way archaeology is currently funded stifles our creativity as archaeologists (whether its undertaken by university’s or by developers seeking planning permission), then a crowdfunded approach like DigVentures that draws support from as wide a constituency of funders as possible must do the exact opposite.
Rather like architects it allows us to design a project and assemble a team that is exactly right for the needs of the site, and if the community like what they see we are given the permission and resources to dig it. Keeping our side of the bargain in this ‘social contract’ means staying 100% focused on our Venturers, either through updates on our digital platform or with sleeves rolled up on the site itself. This is ‘Archaeology for the People’ and its what we mean when we say ‘Archaeology in your hands’… but of course you all knew that already!
Settle back and enjoy the presentation, and if anyone has any comments or questions, just jot them down below or on our Facebook page and we’ll do what we can to help. All the best!
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Comments (1)
Insightful comments. Community involvement is again raised as vital. Trying to make this link between the commercial world and the ‘amateur’ world is key to the survival of the discipline – its all about making the past relevant to people. If we don’t do this they simply won’t care…