Lindisfarne Sculpture
At its peak, Lindisfarne was a monastic powerhouse at the heart of the Kingdom of Northumbria. It produced some of the finest artworks of the early medieval world, with creative influences flowing in from Ireland, Scotland and Scandinavia.
Medieval sculpture can give us insight into the political views, creative influences, and religious beliefs of the time. The sculpture from this period reflects an era when politics and religion were intrinsically linked, and Lindisfarne’s influence was far-reaching.
Browse the Lindisfarne Sculpture collection
Large standing crosses were some of the most remarkable pieces produced by Northumbrian stonemasons. Adorned with Christian symbolism, crosses were used as focal points for religious worship, public gatherings, boundary markers, or to delimit areas of special significance. They stood as a reminder to all who saw them that the Kingdom of Northumbria was resolutely Christian.
The cross was adopted as a symbol of Christ’s suffering by Christians from the 3rd century. King Oswald raised the first known freestanding cross, made of wood, in Northumbria, near Hexham. This cross acted as a thanksgiving for his victory in the Battle of Heavenfield in 633 or 634.
Fragments of cross heads, shafts and bases make up much of the collection below, but you’ll also find fragmentary remains of burial markers. Elements of these sculptures may have been highly decorated and painted in bright colours.
Many of these fragments were found in the late 19th and early 20th century in poorly documented excavations. Little is known about the contexts from which the sculpture was recovered and many of the associated dates are stylistically based.
Previously, highly ornamental and carefully carved pieces have been typically dated to the peak of Lindisfarne sculpture production in the 8th, 9th and 10th centuries. Plainer, less detailed sculpture is often grouped into the 11th century and beyond.
However, as the corpus of Lindisfarne sculpture grows and further study is done, the interpretation of previously associated dates continues to evolve.
The majority of these stones are held in the English Heritage Lindisfarne Priory Collection and are on display in the site museum.
Cross shaft
Lindisfarne, AD 775-850
Cross shaft
Lindisfarne, AD 800-900
Cross shaft
Lindisfarne, AD 875-1000
Cross shaft
Lindisfarne, AD 800-900
Cross shaft
Lindisfarne, AD 875-950
Cross shaft
Lindisfarne, AD 875-950
Cross shaft
Lindisfarne, AD 900-1000
Cross shaft
Lindisfarne, AD 950-1000
Cross shaft
Lindisfarne, AD 875-1000
Cross shaft
Lindisfarne, possibly AD 800
Cross arm
Lindisfarne, AD 900
Cross
Lindisfarne, Early Medieval
Cross arm
Lindisfarne, AD 900
Cross
Lindisfarne, AD 900
Cross head
Lindisfarne, AD 775-850
Cross base
Lindisfarne, AD 775-850
Burial marker
Lindisfarne, AD 800
Cross
Lindisfarne, Early Medieval
Cross
Lindisfarne, AD 700-800
Burial marker
Lindisfarne, AD 900
Cross shaft
Lindisfarne, AD 875-900
Cross shaft or impost
Lindisfarne, AD 1000
Cross shaft
Lindisfarne, AD 1050-1100
Cross head
Lindisfarne, AD 1000
Burial marker
Lindisfarne, AD 1075 - 1125
Cross arm
Lindisfarne, Early Medieval
Cross boss
Lindisfarne, AD 800-900
Cross shaft
Lindisfarne, AD 800-900
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